There are many angles to every subject: pathos, humor, inspiration, cautionary lessons—the breadth of human experience. I try to draw from them all.

It’s become a foregone conclusion that today’s audiences are hopelessly fragmented. This is a self-fulfilling prophecy that creators needlessly perpetuate. I don’t expect the trend to reverse, but I believe there will always be potential to tell stories that captivate the masses. Stories are magic.

I got my start as a junior assistant editor at a Manhattan-based production company that made reality TV, working in their development department, cutting countless multihour casting interviews down to one-minute pitch tapes, learning from master practitioners how to craft sizzle reels that really sizzled. It was “all in the edit”: if it didn’t grab your attention, it didn’t make the cut.

Since then, I’ve worked on all kinds of content—documentaries, live multi-cam comedy shows, narrative feature films—for major platforms like Netflix, HBO and Apple TV+ (as well as scrappy underdogs on shoe-string budgets).

No matter the genre, format or story, bringing ideas to life never gets old. With each project, I learn something new—about life, the world, the rapidly growing arsenal of post-production tools, and, as an editor and storyteller: “what works and what doesn’t.”

Like most artists, I believe my best work is ahead of me. If you feel I might have something to contribute to your project, I’d love to hear from you. All other inquiries are more than welcome.