There are many angles to every subject. Pathos, humor, cautionary lessons, inspiration—the breadth of the human experience.

It’s become a foregone conclusion that today’s audiences are hopelessly fragmented. I believe this is a self-fulfilling prophecy that creators needlessly perpetuate. While I don’t expect the trend to reverse, I strive to tell stories that can captivate the masses.

I got my start as a junior assistant editor, working in the development department of a Manhattan-based production company that made reality TV. I cut countless multihour casting interviews down to one-minute pitch tapes and learned from master practitioners how to craft sizzle reels that really sizzled. It was “all in the edit”: if it didn’t grab your attention, it didn’t make the cut.

Since then, I’ve worked on all kinds of content—documentaries, live multi-cam comedy shows, narrative feature films—for major platforms like Netflix, HBO and Apple TV+ and scrappy underdogs on shoe-string budgets.

No matter the genre, format or story, bringing ideas to life never gets old. With every project, I learn something new—about life, the world, the rapidly growing arsenal of production tools, and, as an editor and storyteller, “what works and what doesn’t.”

I believe my best work is still ahead of me. If you feel I could contribute to your project, I’d love to hear from you. Any other inquiries are welcome.